Avoiding Photo Heartbreaks

This is a nice part of cottingham

I now regard a new ten shot roll of film as “ten potential heartbreaks”. This is perhaps a rather depressing, but I think it’s is realistic. Digital camera users don’t really experience the sinking feeling film photographers get when they see the developed renditions of the lovely scene they composed in the viewfinder. And for a digital photographer; if a photo comes out wrong you can always take another one there and then.

Today I took the Pentax 67 for a walk and took ten shots. Then I developed them. Most of them were not exposed correctly - including the one above which required some serious fettling to get it to look reasonable. Robs black and white photography tips (which he really should follow himself):

• Exposure is really important. Getting the right amount of light onto the film is crucial. I was trying a technique where you get a light reading from the darkest part of the image that you want to see, go back two stops and then use that as the exposure. I got this wrong (didn’t find a dark enough place) because the photographs were all horribly over exposed (I’d let too much light in). Before you dial in the settings do a quick “sanity check” to make sure that the numbers make sense. If I’d done that I’d not have ended up with the bad shots that I got.

• Focus is really important. A perfectly exposed picture is of no use to you if it is blurred. Aim for sharpness and make sure that all the subjects that need to be sharp are sharp. If the people in the scene are different distances from the camera you need to either move to line them up or adjust the focus so that you have enough depth of field (the distance range in which things are sharp) to make the picture look right. The only good news is that you can make your out of focus pictures look a lot better by only using very small versions of them. So make a mosaic of your blurred shots.

• Holding the camera still is really important. If you get exposure and focus right and then wave the camera around like a fire hose when you take the shot you will end up with a blurred photo. If the focus for a picture is wrong some parts of the picture will be blurred. If you don’t hold the camera still every part of a picture is blurred, and you will have to print it the size of a postage stamp to make it look right. If the shutter speed (the time the film is exposed to light) is less than a sixtieth of a second you need to steady the camera somehow. Use a tripod, put your elbows on a table or wall. Breath in and hold your breath for the time it takes to take the shot. Squeeze the shutter button, don’t press it.

There are of course lots of other things you can do wrong. Particularly if, like me, you’re daft enough to process your own film at home. But I do find that in the shots that I take there are some which are good enough to make me keep going.